Happy Days: A New Musical

By LIZ BYRON. Yes, that’s right, there is a musical based on the TV show Happy Days. Now, I have to admit that I’ve never seen a single episode of the iconic show (blame it on my age plus my general preference for books over TV as a kid), but my theatre companion had, which…

Rafael Davila as Don José and Nora Sourouzian as Carmen in the Minnesota Opera production of Carmen. Photo by Michal Daniel.

Carmen

By LIZ BYRON. Carmen is a classic opera whose music is so well-known that even opera virgins will probably recognise some of the songs. Indeed, I walked into the Ordway knowing nothing about the opera but that it featured a woman, presumably named Carmen, who might at some point wear a red dress. But it…

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Peter Pan

BY TAMAR NEUMANN: Peter Pan has always held a magical place in our hearts since it first took the stage. I think it’s because Peter Pan, the boy, reminds us all of the innocence of childhood. Either that, or we all just wish we had the ability to fly. In any case, Peter Pan continues…

Laura Leffler-McCabe as Jocasta, surrounded by the ensemble. Photo by Carl Atiya Swanson.

These are the Men

Walking into the Southern Theater to see a retelling of a story first performed on stage over two millennia ago is a wonderful experience. The contrast of the exposed modern lighting and minimalist set pieces to the beautiful, century-old proscenium arch is a fantastic metaphor for the show itself, blending old and new. These are the Men is a…

Photo by 20% Theatre Company.

Leah’s Train

By LIZ BYRON. Leah’s Train is officially the first play I have ever seen that included time travel without a trace of science fictioniness (real word). It’s also the first production I’ve seen that involved Jewish migrants during wartime that didn’t depress me, and one of the only times I’ve seen an actor under the age…

Death Tax

The Pillsbury Production of Death Tax: Living On By ADAM SCHENCK and BECKY HALAT Imagine a world where instead of death being the great equalizer, one can live on—“be preserved”—if one has the money to maintain care. Lucas Hnath’s script offers a somewhat frightening look at the future of elder care, showing the awkward discussions…