by ERIKA SASSEVILLE I’ll admit, I may have been a terrible theater major. Before this week, I’d never seen Cabaret, either in film or on stage. Even so, my companion and I were blown away by Roundabout Theatre’s production playing through October 23 at the Orpheum Theatre. Cabaret premiered on Broadway in 1966 and picked up eight…
by LISSI CORBETT Every American should see this play. In one of the most powerful moments of playwright Jeanne Sakata’s one-man show Hold These Truths, Gordon Hirabayashi realizes that his and his family’s faces are the faces of the enemy. By accident of race and ancestry, they are now the dangerous and unwelcome Other. Hold…
by CHRISTINE SARKES Finding Fish at the Illusion Theater is a labor of love for playwright Carlyle Brown, who lived a seafaring life for over twenty years on the Maine coast. A commission to write a play about the sustainability of Maine’s fisheries led to this work, which imagines a future world in which much…
Despite having been a Twin Cities theatre-goer for years now, last night’s performance of Ragtime was the first time I had ever seen a show by local favourite Theater Latté Da. Nuts, I know, but at least I finally got there. And it seemed like fortuitous timing that I should finally see the much-praised company at their first…
by CHRISTINE SARKES I’m writing this review as an unabashed Jane Austen fan and addressing it to the likewise. Anyone else is a mystery to me and I wouldn’t know where to begin. Janeites/Austenites will love the Guthrie Theater and Kate Hamill’s reverent, yet lightly modernized adaptation of Sense and Sensibility. With spot-on lead performances, exceptional ensemble…
by CHRISTINE SARKES Inclusiveness and gratitude were the themes of the 12th Annual Ivey Awards held last evening at the Historic State Theater, downtown Minneapolis. Theater professionals honored their own and one of ours–Star Tribune theater critic Graydon Royce–as they reached beyond the typical candidates by awarding a non-actor, costume designer Trevor Bowen, with the Emerging Artist Award. Bowen got his…
by CHRISTINE SARKES In Disgraced at the Guthrie Theater, playwright Ayad Akhtar lays bare the deepest, darkest prejudices and fears of his diverse cast. In some ways, this is the most important review I’ve written to date and, like the play itself, the pressure to get it right is intense. What is it like for…
by CHRISTINE SARKES La vie est belle, life is beautiful, on the set of South Pacific at the Guthrie Theater through August 28. Rodgers and Hammerstein’s 1949 Broadway musical (and 1958 film) is romantic and lush, with such indelible music and lyrics that many left the theater whistling the tunes. It takes on prejudice and…
I’m just going to come right out and say it: I loved Le Switch. I feel a little guilty about this, mainly because it’s a pretty standard form rom-com complete with quirky characters and convenient coincidences and the overarching message that the best, most important thing you can do in life is fall in love and get…
tot is Mu Performing Arts‘ 50th World Premiere of a new play; in this case, playwright Victor Maog‘s quirky piece about a ten-year-old boy who immigrates from the Philippines to the San Francisco Bay Area to be reunited with his parents. Tot’s parents had departed from then military-ruled Philippines to seek a better life, leaving their only son…
Aisle Say - Twin Cities 