Refugia

by CHRISTINE SARKES Refugia at the Guthrie Theater explores transition–as life stages, border crossings, displacement of people as refugees and immigrants–using an avant-garde and innovative mix of movement, music, poetry and comedy. Through interconnected chapters, the piece is formed from “devised theater,” differing from traditional theater in that the rehearsal process does not begin with…

Le Petit Moulin

When offered the chance to see Collide Theatrical‘s latest production, Le Petit Moulin, I didn’t even check my calendar before saying yes (side note: always check your calendar first; I had to reschedule a family dinner. Worth it.). I love all things French and particularly early 20th century history, but more to the point, Collide has always impressed me…

Wicked

by CHRISTINE SARKES Wicked is so good on so many levels, there really is no need to write a review – just go see it, if you can. The lyrics and music are achingly beautiful, the underlying messages touchingly resonant and topical, and the costumes and sets are simply fabulous. I love this show with…

The (Curious Case of the) Watson Intelligence

by CHRISTINE SARKES The (Curious Case of the) Watson Intelligence, a 2014 finalist for Pulitzer Prize for Drama at Park Square Theatre, is truly a curious case. It is a lightly entertaining and well-acted confusing mix of steampunk meets Sci-Fi time travel meets Sex and the City. The website’s synopsis won’t help much either: “Four…

West Side Story

The Ordway Center for the Performing Arts and Teatro Del Pueblo present West Side Story, April 4-16. The musical, based on Shakespeare’s Romeo and Juliet, places a new pair of star-crossed lovers in Manhattan’s Upper West Side during the 1950’s.

Citizen: An American Lyric

by CHRISTINE SARKES Frank Theatre’s Citizen: An American Lyric by Claudia Rankine at the Intermediate Arts center packs a huge emotional punch. Focusing on the complex inner and outer lives of its characters, the play dissects daily occurrences of racist micro-aggressions that are designed to denigrate and render invisible minority populations. These micro-aggressions are explored…

Don’t Hug Me – We’re Married

By Adam Michael Schenck Assuredly, the dinner theater experience hearkens back to a different era of live entertainment, before the days of stand-up comedy and before television provided our laughs in the comfort of our homes. Why then do we go out, in this case, to the Bunker Hills Event Center in Coon Rapids? My…