by CHRISTINE SARKES Romeo and Juliet at the Guthrie Theater through October 28 is fresh, sexy and brilliantly directed by Guthrie’s artistic director Joseph Haj. I especially loved the humor and vibrancy of the staging and the modern cadence of Shakespeare’s words. The play sizzle with energy and will absolutely appeal to younger middle and…
by LISSI CORBETT The Guthrie Theater’s production of Native Gardens, a topical and often hilarious new play written by Karen Zacarías and directed by Blake Robison, is “not about flowers,” as one of its characters asserts, “it’s about principles.” In a mere 90 minutes, Native Gardens confronts some of the most salient and complex sociopolitical…
by JACOB FROELICH The lesser-known story behind the founder of one of the most influential record labels in history makes for quite the Broadway musical. Motown the Musical is captivating and enthralling from the opening number through the tribute mini-concert finale. The show is a sing-along for many and the music appeals to a broad…
Anyone who has ever seen the 2001 Dreamworks animated movie Shrek will find themselves right at home at the Stages Theatre Company production of Shrek the Musical.
by CHRISTINE SARKES What does it mean to be a misunderstood, visionary artist and how does suffering for your art impact those you love? These are the themes of Stephen Sondheim (West Side Story, Gypsy, A Funny Thing Happened on the Way to the Forum, Sweeney Todd, Into the Woods, et al.) and James Lapine’s…
In this musical based off of the hit movie, young couple, Sam and Molly, have just moved into an apartment in Brooklyn with help from their friend – and Sam’s business partner – Carl. Everything seems to be going well, if only Sam would say three little words. Everything changes when Sam is shot and killed. He becomes a ghost, unable to communicate with Molly except through a formerly fraudulent psychic, Oda Mae Brown. Together they work to solve Sam’s murder and bring the two lovers peace after death.
by CHRISTINE SARKES Aethem Theatre Company’s world premiere adaptation of Jane Austen’s Persuasion, June 15-18, is a superbly acted delight. The company’s founding member Kayla Hambek has accomplished a nearly herculean task in adapting the book to stage given that much of Austen’s exposition is the protagonist’s inner monologue. Hambek cleverly uses Anne Elliot’s (Audrey…
