Sweet & Sour Richfield: Made in China! Miss Richfield 1981

by CHRISTINE SARKES SASSEVILLE Russ King’s hilarious holiday drag satire pokes fun of Asians, Christmas, religion, lesbians, bad sweaters and suburbia. No group is safe from Miss Richfield 1981’s sharp-tongued, spike-heeled humor. King’s hysterically funny Sweet & Sour Richfield: Made in China! is a holiday tradition for many repeat audience members and a break from traditional, treacly holiday fare for newcomers. King’s beauty queen alter ego,…

Born Yesterday

by CHRISTINE SARKES SASSEVILLE Fans of the 1950s classic movie, Born Yesterday, starring Judy Holliday and William Holden, will find much to enjoy in Guthrie Theater’s version, which is based on playwright Garson Kanin’s original Broadway play. Born Yesterday at the Guthrie is an amusing, well-acted romantic comedy and political satire, whose indictment of congressional corruption…

Leaves

by LIZ BYRON At first glance, Leaves might seem like a confusing mishmash that could go very wrong. Finding its inspiration in the poetry of American great Walt Whitman, and borrowing large swaths of his work, the people of Savage Umbrella have created a play that is part drama, part music, part poetry, moving back and forth between Whitman’s words and…

Brahman/i: A One-Hijra Stand-Up Comedy Show

by LIZ BYRON Brahman/i: A One-Hijra Stand-Up Comedy Show is one of a trilogy of plays by local playwright Aditi Brennan Kapil being premiered by Mixed Blood Theatre. The series is called Displaced Hindu Gods, and also includes pieces The Chronicles of Kalki and Shiv; all three plays are based around the concept of the…

Charlotte’s Web

A child of the ‘80s, I prepared for Children’s Theatre Company’s  production of Charlotte’s Web by recalling the ‘70s animated movie. Templeton the rat rolling in fair food came to mind, and so too did Wilbur the runt prancing around the farm with a duckling on his snout. As the day came closer, I began singing “Lots in Common”…

“The Final Act”

I’ve often wondered what the modern equivalent for gory Renaissance tragedy is, but I never thought to compare it with hardboiled detective film. The Final Act at the Woman’s Club of Minneapolis (407 West 15th St.) blends these two styles into a gripping murder mystery about the death of Christopher Marlowe.  There are few authors…

Fringe Day 4: “No Stopping, No Warping, No Dying”

Chicago-based 1UP Productions’ contribution to this year’s Fringe Festival is called No Stopping, No Warping, No Dying – a title which references one of the main characters’ philosophy in both life and video gaming. “No Stopping” takes place atop a giant Nintendo (that’s the original NES, mind you) and is played out by two actors playing “Player 1” (Charles Askenaizer)…

Fringe Day 2: One-Woman Shows

Like Sophie wrote about her Fringe experiences yesterday, I did not intend to have a “theme day”, but I did: I wound up seeing two one-woman shows. However, I can’t really compare them, because the similarities kind of end there. Lord of the Files, written and performed at the Theatre Garage by Lesley Tsina, is a…

Fringe Day 2: “Yelling at Bananas in Whole Foods”

With Fringe in full swing, I’ve been hit with a barrage of information about new and exciting shows! In Downtown Minneapolis, costumed performers have been hurriedly spreading the word about their upcoming performances in the minutes between events. If you come across Dan Bernitt advertising his Yelling at Bananas in Whole Foods , now playing…

Fringe Day 1: “Katharina Von Bora”

Fringe 2013 has something for everyone! Katharina Von Bora, the story of the runaway nun and widow of Martin Luther, is the just the sort of play I would take my feminist grandmother to. Minnesota has its share of Lutherans, so I was not surprised to see that that the opening night was so well…