Our kind press contact at the Minnesota Opera has a special offer for the performance of Così Fan Tutte TOMORROW NIGHT, 9/27/11. If you call the ticket office or puchase online at www.mnopera.org, you can get any available seats for Tuesday night’s performance for only $20 using code blog20! This is an amazing opportunity to see world-class opera for…
by SOPHIE KERMAN With Così Fan Tutte, opening on Saturday for a five-day run, the Minnesota Opera throws down a gauntlet to anyone who thinks opera is stodgy, irrelevant or boring. Can you sit through Wolfgang Amadeus Mozart‘s 1790 opera without cracking a smile – or bursting out in an explosion of giggles as two grown men roll…
by SOPHIE KERMAN “Provocative” is too cliché a word to describe Neighbors, the Mixed Blood‘s season opener. Although the publicity materials for this recent play by Branden Jacobs-Jenkins use words like “subversive,” “real,” and “scathing,” the Mixed Blood has earned the right to tell it like it is: this ensemble will sneak up behind you, rip you…
Welcome to Aisle Say Twin Cities, the new offshoot blog of AisleSay.com, an internet resource for theater reviews across the country. At Aisle Say Twin Cities, we strive for reviews that push Minneapolis and St. Paul to provide consistently high-quality theater. You can read more about us on the “About” page. We hope our reviews…
by SOPHIE KERMAN Whether you want to spend two hours at the Walking Shadow Theatre Company‘s production of reasons to be pretty depends entirely on the company you keep. As one would expect from a Neil LaBute play, reasons is centered on four unpleasant people and the unpleasant things they do to one another. If…
by SOPHIE KERMAN A good director knows his or her audience, and although the Guthrie Theater‘s latest Shakespearean adaptation failed for me on several levels, I have to give director Joe Dowling credit where credit is due. As far as I could tell, the audience at the opening night of Much Ado About Nothing mostly consisted of…
by SOPHIE KERMAN and ANNA ROSENSWEIG Theatre Pro Rata made an interesting choice by producing Cat’s Paw, a play about domestic eco-terrorism, in the midst of our nation-wide remembrances on the tenth anniversary of September 11, 2001. The play, updated in 2010 by playwright William Mastrosimone from the 1985 original, turns out to be quite…
by SOPHIE KERMAN and ANNA ROSENSWEIG With a subtitle like, “An edible opera touring to a community garden near you,” we didn’t necessarily expect to come away from a performance of Alcina’s Island: A Picnic Operetta wondering if it might just be the best thing we’ll see all season. Staged in gardens across the Twin…
by SOPHIE KERMAN As I scanned the crowds while waiting in line for tickets at this year’s Minnesota Fringe Festival, listening in on conversations and taking mental notes on which of the 168 productions I really should not miss, it occurred to me that aside from its obvious entertainment value, going to Fringe is a…
by ANNA ROSENSWEIG This review is a special dispatch from Corvallis, Oregon, where Anna caught a play while on vacation: How does one begin a play? It’s possible to start the action in medias res, but then how will the audience know who is who and what they want? P.G. Wodehouse solves this problem by…
