by SOPHIE KERMAN Although every woman is different, there are some things that tie us all together – the mental anguish of putting on a pair of nylon stockings, the enormity of a first crush, the strange and wonderful experience of growing boobs and figuring out what to do with them. These common trials and…
by SOPHIE KERMAN What do you do with a group of talented women on a tight budget? You could strap a few pairs of roller skates on them and set them loose in the roller derby arena… or you could give them 24 hours to write, rehearse and perform six short plays. In the 24:00:00…
by SOPHIE KERMAN As the lights dim for Lorna Landvik‘s grand entrance at the Bryant Lake Bowl, it is clear that the woman has created a following. Whether through her eight novels or the four previous sold-out iterations of her one-woman improv show Party in the Rec Room, Lorna’s audience knows what to expect. For a comedy show, it’s…
by ANNA ROSENSWEIG Some shows sneak up on you and win you over, complicating your initial impressions. Charley’s Aunt is one such show, which provided a rather enjoyable evening at the theater, despite a slow start and uneven pacing throughout. Much of what makes the Guthrie Theater’s production of Brandon Thomas’ wildly popular 1892 farce…
by SOPHIE KERMAN You’ve got to wonder what happened at the birthday party when Russ King first took on the persona of Miss Richfield 1981, a beauty queen from the town “where butter is a spice and gravy is a beverage.” Like those shamelessly gravy-drinking suburbanites, Miss Richfield doesn’t hold back and has some serious…
by Anna Rosensweig Halloween is a tricky holiday because it’s a hard one to halfheartedly celebrate. Sure you can show up at a costume party dressed in your usual clothes and some random hat. But it’s guaranteed you won’t have as much fun as your friends who go as Xena the Warrior Princess, a Keebler…
By ANNA ROSENSWEIG To sit in a Ten Thousand Things audience is to become part of the show. The company performs in small, often unconventional spaces that make boundaries between actors and audience thin and porous. What’s more, Ten Thousand Things performs in the round and keeps the house lights on, so that the actors…
by SOPHIE KERMAN As I scanned the crowds while waiting in line for tickets at this year’s Minnesota Fringe Festival, listening in on conversations and taking mental notes on which of the 168 productions I really should not miss, it occurred to me that aside from its obvious entertainment value, going to Fringe is a…
Aisle Say - Twin Cities 