by SOPHIE KERMAN Political theater has a fine line to walk between didacticism, partisanship, and voyeurism into trauma. This is something that co-creators Michael Opperman and Nathan Tylutki were deeply aware of when constructing Red, White, [Black & Blue]: Uncharged at Guantánamo, a performance piece about the detainees currently remaining uncharged at Guantánamo. The term “performance piece” (my…