Le Switch

I’m just going to come right out and say it: I loved Le Switch. I feel a little guilty about this, mainly because it’s a pretty standard form rom-com complete with quirky characters and convenient coincidences and the overarching message that the best, most important thing you can do in life is fall in love and get…

Red, White, [Black & Blue]

by SOPHIE KERMAN Political theater has a fine line to walk between didacticism, partisanship, and voyeurism into trauma. This is something that co-creators Michael Opperman and Nathan Tylutki were deeply aware of when constructing Red, White, [Black & Blue]: Uncharged at Guantánamo, a performance piece about the detainees currently remaining uncharged at Guantánamo. The term “performance piece” (my…

Fringe Day 10: “The Grimmer Side”

I had planned to cover more than one show on my last day at Fringe, but my plans got unexpectedly cut short after my first performance of the day. Although I’m disappointed not to have seen more, The Grimmer Side: Classic Stories for a Modern Time served as an excellent capstone to the festival, as it embodies…

Kill Me Don’t Go

by SOPHIE KERMAN Kill Me Don’t Go, a brand new play by Trista Baldwin, does not shy away from marriage’s most harrowing moments. Ambitious in its emotional scope, Kill Me explores the profound connection and dangerous interdependency that can develop between two people who have chosen to wind their lives around each other. Although the situation between…