I love seeing new shows on the first day of Fringe. No reviews, no rumours, no spoilers; just me and my program. Unfortunately, Day 1 was not just me and my program, it was me and my program and my job that prevented me from seeing any shows before 10 PM, but I’ll take one…
Welcome to Day 1 of Fringe, where every show looks great and you haven’t yet memorized the pre-show announcements! This is the first in a long series of posts between now and August 11, so keep checking back as we see more and more shows. I don’t like to intentionally theme my Fringe viewing experience,…
Over 60 million people worldwide have seen the powerhouse musical Les Misérables since it opened in Paris in 1980 (the first English-language production was in London’s West End five years later). Les Misérables is the kind of show for which people will buy tickets regardless of the cast, venue, or dates; they just want to…
by CHRISTINE SARKES SASSEVILLE Director Joe Dowling and the entire cast and crew of the Guthrie Theater’s Pride and Prejudice can surely be proud of their stage adaptation of Jane Austen’s beloved novel, which is celebrating its 200th anniversary this year. The play is hugely entertaining, unexpectedly hilarious–while remaining true to the novel’s more thoughtful themes–and can…
Gadfly Theatre’s newest production, QUEER! starts out as a sort of “GLBT 101”, but eventually transcends that and becomes a touching piece about the realization that many of the challenges GLBT-identified folk face come from within the queer community itself. As a reviewer, I find this a challenging piece to write about, because I can…
By MIRA REINBERG Even for those of us who are not devotees of Emily Dickinson, the life and consciousness of the poet remain a fascinating riddle. The historical period in which she lived – mid- to late nineteenth-century – was able to offer abundant documentation in the form of recorded accounts and letters, archived publications,…
by SOPHIE KERMAN Poor Sherlock Holmes! With the number of literary, theatrical, and cinematic re-imaginings he’s gone through since his inception in 1887, the man has a lot of baggage. His latest incarnation by Jeffrey Hatcher is “despondent”, as if the past century of crime-solving exploits has just about worn him out, but of course a new…
What is there to write about Clybourne Park that has not already been written? The hype around this play can feel a bit stifling. Winner of the 2011 Pulitzer Prize, this “strong, ferociously smart play” has traveled from New York to the UK, Rhode Island, Philadelphia, and now to the Guthrie. The English teacher in…
By MIRA REINBERG France in the eighteenth century was a hothouse for philosophical investigation and scientific inquiry. But in order to cultivate the mind and reap the benefits of the explosive intellectual environment of the age of Enlightenment, one would have to be of an origin that granted a title or wealth, preferably both. Certainly…
by SOPHIE KERMAN On the opening night of URINETOWN: the Musical, Jungle Theater Artistic Director Bain Boehlke proclaimed that this was sure to be the “runaway hit of the summer.” Artistic hubris? No, Boehlke is absolutely right. With a brutally sharp message and a five-star cast that can sing and dance like Lyndale Ave is the next…
