Rock of Ages is an 80s rock concert with a plot. What can I say? It is so much fun. If you’re looking to be well and thoroughly entertained this weekend, go see it. Just go see it, and have a good time. You might even want to think about dressing up in your best…
by MICHAEL J. OPPERMAN At the entrance to the theater hangs a sign warning that the Tesla coil to be fired during the performance is loud, but not dangerous. This caveat is a compelling prelude to an ambitious production. Assembling the peculiar narrative and bracing eccentricities of Nikola Tesla’s life into a coherent play is…
by SOPHIE KERMAN For both political and theatrical reasons, the story of gender transition is not told enough. Changing one’s gender presentation is by definition a form of theater; a dress can become a costume, and facial hair can transform a bearer of XX chromosomes into someone who is confident walking into the men’s bathroom.…
by CHRISTINE SARKES SASSEVILLE Homer’s the Iliad is among the oldest works of Western literature and its illumination of the heroism and horrors of war has resonated with listeners and readers throughout history. One of the most moving segments of An Iliad, now at the Guthrie Theater through May 26, was actor Stephen Yoakam’s minutes-long listing of every war in human history since the Trojan…
One of the shocks of childhood is the realization that adults can be even more capricious and absurd than children. Although some pretend that life is predictable and logical, adulthood is often chaotic, replete with characters whose motivations are difficult to decipher. Enter the Alice in Wonderland at the Children’s Theater Company, a flashy and high-energy production…
Mission Theater promises that its production of Shakespeare’s A Midsummer Night’s Dream is a “highly physical, energetic production”, and they aren’t lying. From start to finish, the play is bursting with energy. Characters dance, fight, frolic, and do just about anything but stay still. Australian director Penelope Parsons-Lord cleverly decided to use physicality to help…
by CHRISTINE SARKES SASSEVILLE Early in the play, I Love to Eat: A Love Story with Food, James Beard (Garry Geiken) declares to the audience, “Moderation. I’m against it!” This line captured to me the true essence of James Beard: America’s original foodie, TV’s first cooking show host, confidante of Julia Child and author of over 20 cookbooks. An award bearing…
by SOPHIE KERMAN Dreamless Land is a slippery bit of theater. Characters grow up unexpectedly, the genre shifts from “realism” to dream to science fiction to spy movie, and the viewer is never quite sure whether the actors are playing different sides of the same character or different characters altogether. A glowing cube (designed by Liz…
It is easy to look back on the 60s and see bright colours, free love, and an exploding music scene. And in thinking of the music of the 60s, it is really easy to name successful female musicians: Carole King is the obvious name, but also lots of groups like The Ronettes, The Shirelles, The…
by SOPHIE KERMAN There’s a certain mystique out there about fishing, a sense that the long wait (or desperate quest) for a fish can somehow be compared to the various ways of leading one’s life with artistry, impatience, or obsession. The idea has been exploited in various forms for centuries, from “A River Runs Through…
Aisle Say - Twin Cities 