I don’t know much about dance, and so sometimes I shy away from reviewing dance shows, because I feel that I don’t have the expertise to critique it. When I heard about COLLIDE’s new production of Dracula, my instinct was not to go, because how could I talk about jazz dance when I couldn’t remember which…
Much like Christmas carols, Christmas plays already exist in such numbers that creating a new one that puts a fresh new spin on things is quite the challenge. Kudos to Lyric Arts, then, for accepting that challenge by commissioning and mounting Christmas in the Airwaves by playwright John Patrick Bray. Set in 1944, Christmas in the Airwaves follows the adventures of a…
by CHRISTINE SARKES SASSEVILLE Camelot, now at the Ordway through Sunday, offers a lush set design and costumes, classic Lerner and Loewe lyrics and the timeless Arthurian Knights of the Round Table fable of love, honor, chivalry and justice. The brilliant set design of the musical (Kevin Depinet) and orchestration (Marshall Keating) were freshly reimagined and updated to evoke a slightly…
By LIZ BYRON. I was sitting in a German class a couple of years ago when my teacher, demonstrating a new grammar concept, used the example character “Frau Blücher”. Without thinking, I neighed like a horse, much to the alarm of my classmates — most of whom were a good ten years younger than me…
