Camelot

Tim Rogan, Adam Grabau and Mary McNulty in Camelot, courtesy of Phoenix Entertainment

Tim Rogan, Adam Grabau and Mary McNulty in Camelot, courtesy of Phoenix Entertainment

by CHRISTINE SARKES SASSEVILLE

Camelot, now at the Ordway through Sunday, offers a lush set design and costumes, classic Lerner and Loewe lyrics and the timeless Arthurian Knights of the Round Table fable of love, honor, chivalry and justice. The brilliant set design of the musical (Kevin Depinet) and orchestration (Marshall Keating) were freshly reimagined and updated to evoke a slightly darker, edgier feel. The singing style and staging, however, felt dated — mimicking instead the original 1960s Broadway cast of Julie Andrews as Guenevere and Richard Burton as King Arthur. The voices of the lead characters — King Arthur (Adam Grabau), Guenevere (Mary McNulty) and Lancelot (Tim Rogan) — are full and strong; although I found Tim Rogan’s diction a bit muffled and difficult to understand. Grabau offers a touching and solid performance as the reluctant King who suffers to bring peace to his country and happiness to his loved ones. Kasidy Devlin was excellent as the evil troublemaker Mordred and provided much-needed comic relief in the second act, as did Mark Poppleton as Merlyn/King Pellinore. My favorite songs were the classics: “Camelot,” “Before I Gaze at You Again” and “If Ever I Would Leave You.”

Camelot sets to music beautifully T. H. White’s The Once And Future King. As Arthur prepares to ascend the throne with the help of Merlyn the magician, he accidentally meets his bride-to-be, Guenevere in the forest. Both are apprehensive of marrying someone they have never met, but are pleasantly surprised when finally introduced and are happily wed. Meanwhile, Lancelot hears in France of the Knights of the Round Table, and travels to Camelot in hopes of joining. Although he proves himself arrogant and insufferable, King Arthur embraces his friendship and Guenevere eventually falls in love with him. When Arthur learns of their love, he remains silent for the sake of the peace that Camelot has enjoyed for some time. Arthur’s illegitimate and evil son Mordred arrives and while attempting to ascend the throne, uncovers Guenevere’s vulnerability and sets out to destroy his father’s legacy.

Camelot, Book and lyrics by Alan Jay Lerner. Music by Frederick Loewe, Director Michael McFadden. Musical director Marshall Keating. Costume design by Paul Tazewell. Now through May 17, 2015 at the Ordway Center for the Performing Arts, 345 Washington St, Saint Paul. Tickets at http://www.ordway.org or 651-224-4222.

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