by SOPHIE KERMAN In the new production of Elton John and Tim Rice’s Aida, the Hennepin Theatre Trust and Theater Latté Da present us with an excellent performance of a deeply problematic musical. The show opens a new collaborative series between the HTT and Latté Da called Broadway Re-Imagined, which casts local Minnesota talent in high-profile Broadway shows under…
by SOPHIE KERMAN It is too bad that God Rest Ye Scary Gentlemen is such a good idea, because that makes its execution all the more disappointing. The mission of the Hardcover Theater is to adapt texts for the stage, and for their latest production, they have chosen to spook up the holidays with three 19th-century ghost…
by MICHAEL J. OPPERMAN This play is a holiday favorite, particularly for many who don’t much like the holidays. Based on David Sedaris‘ cynical & searing true chronicles of working as an elf at Macy’s during the holidays, the Santaland Diaries were first read on National Public Radio 20 years ago. In the Frank Theatre…
by SOPHIE KERMAN When a play’s design can elicit gasps within the first five minutes, and when it can keep an audience of seasoned theater-goers laughing for over two hours, it puts the reviewer in a truly difficult position. Despite wanting to steer clear of cliche, there is no way around it: how else to describe…
by MICHAEL J. OPPERMAN Peter Nichols’ A Day in the Death of Joe Egg is a provocative play, disturbingly frank in its portrayal of a couple’s experience raising a daughter with cerebral palsy. Nichols is unflinching in his depiction of Bri (Randy Schmeling) and Sheila (Mary Fox) and the emotional strain of parenting a child…
by SOPHIE KERMAN and EMILY MEISLER, guest reviewer Who hasn’t watched “Waiting for Guffman”, the mockumentary about a small town that puts on a community theater production, and felt a twinge of envy for the fictitious audience of “Red, White, and Blaine”? How much fun would it be to see that play, a production so ridiculous…
by SOPHIE KERMAN I look for two things in a children’s show: first, that the kids like it, and second, that it’s got something to entertain adults, too. The Children’s Theatre Company leaves no doubt about either in its revival of the holiday favorite, Dr. Seuss’ How the Grinch Stole Christmas. It’s a book most Americans have…
by MICHAEL J. OPPERMAN Keri Alkema as Anna Bolena in the Minnesota Opera production of “Anna Bolena” Anyone with a glancing knowledge of British history knows all does not end well for Anne Boleyn. Anne was Henry VIII’s second wife (“divorced, beheaded, died; divorced, beheaded, survived”), and, after specious charges of adultery and treason, spent…
by SOPHIE KERMAN As the opening to the MORPHOLOGIES Queer Performance Festival, Scott Turner Schofield‘s Becoming a Man in 127 EASY Steps is a perfect balance of art and storytelling. The three companies organizing MORPHOLOGIES – Pangea World Theater, 20% Theatre Company, and RARE Productions – have spent the last two years putting together the festival, which aims to celebrate…
by SOPHIE KERMAN The process of getting to the Loring Alley Theatre last night was long and circuitous. The space – a chilly concrete room also used as an indoor skateboard park, when not as a theater – is tucked away in the alley behind Joe’s Garage and Lurcat, and my friend and I walked past…
Aisle Say - Twin Cities 