To continue my weirdly thematic Fringe experience, today I saw three plays about the things you can learn when on a journey. From the underworld to ancient Greece to contemporary immigrants, the who and the where seems less important than the what: a lot of truths get revealed when you put yourself in a different…
Welcome to Day 1 of Fringe, where every show looks great and you haven’t yet memorized the pre-show announcements! This is the first in a long series of posts between now and August 11, so keep checking back as we see more and more shows. I don’t like to intentionally theme my Fringe viewing experience,…
by SOPHIE KERMAN Poor Sherlock Holmes! With the number of literary, theatrical, and cinematic re-imaginings he’s gone through since his inception in 1887, the man has a lot of baggage. His latest incarnation by Jeffrey Hatcher is “despondent”, as if the past century of crime-solving exploits has just about worn him out, but of course a new…
by SOPHIE KERMAN On the opening night of URINETOWN: the Musical, Jungle Theater Artistic Director Bain Boehlke proclaimed that this was sure to be the “runaway hit of the summer.” Artistic hubris? No, Boehlke is absolutely right. With a brutally sharp message and a five-star cast that can sing and dance like Lyndale Ave is the next…
by SOPHIE KERMAN The sad comedian might be a cliche, but playwright Thomas Ward has turned the stereotype into some very three-dimensional characters in his insightful short play International Falls. Directed by the Jungle Theatre’s Artistic Director Bain Boehlke, International Falls is being performed at the Bryant Lake Bowl, a much more fitting venue for a peek into a night…
by SOPHIE KERMAN It’s official: the success of the Loudmouth Collective is not a fluke. Following on her deep and funny January production of Will Eno’s “Thom Pain: Based on Nothing”, director Natalie Novacek opens the Loudmouth’s second season with another one-man show, no less well-acted or thought-provoking than “Thom Pain”. This time, we are treated to an unstoppable performance…
by SOPHIE KERMAN For both political and theatrical reasons, the story of gender transition is not told enough. Changing one’s gender presentation is by definition a form of theater; a dress can become a costume, and facial hair can transform a bearer of XX chromosomes into someone who is confident walking into the men’s bathroom.…
by SOPHIE KERMAN Dreamless Land is a slippery bit of theater. Characters grow up unexpectedly, the genre shifts from “realism” to dream to science fiction to spy movie, and the viewer is never quite sure whether the actors are playing different sides of the same character or different characters altogether. A glowing cube (designed by Liz…
by SOPHIE KERMAN There’s a certain mystique out there about fishing, a sense that the long wait (or desperate quest) for a fish can somehow be compared to the various ways of leading one’s life with artistry, impatience, or obsession. The idea has been exploited in various forms for centuries, from “A River Runs Through…
by SOPHIE KERMAN Want to pair a night at the theater with a tasty meal beforehand? Josh Page over at I Like Food, Food Tastes Good and I are doing the legwork for you. Check out Josh’s site for his take on Chimborazo, where the unexpected combinations of sweet and savory Ecuadorian flavors will put you…
Aisle Say - Twin Cities 