by MICHAEL J. OPPERMAN Orpheus is one of the great boneheads of literature; a man who just cannot follow directions. A musician and poet, he falls in love with Eurydice. At the wedding celebration, she dies (in the original myth, she’s chased by a satyr and falls into a nest of vipers) and ends up…
by MICHAEL J. OPPERMAN Lee Blessing’s Perilous Night is a peculiar play. There is a sensation of being pushed headlong into a combination of Octavia Butler’s time traveling race critique Kindred & Don Coscarelli‘s poignant absurdist Bubba Ho-Tep (which finds two extended care patients, who believe they are, respectively, JFK and Elvis, fighting a mummy). The…
A child of the ‘80s, I prepared for Children’s Theatre Company’s production of Charlotte’s Web by recalling the ‘70s animated movie. Templeton the rat rolling in fair food came to mind, and so too did Wilbur the runt prancing around the farm with a duckling on his snout. As the day came closer, I began singing “Lots in Common”…
by SOPHIE KERMAN David Lindsay-Abaire‘s Good People is a funny, scathing commentary on class privilege – but not for the reasons you might expect. Set in South Boston, Good People sets itself up as an answer to the classic question of whether social mobility is based on the all-American ideals of intelligence and hard work, or whether you…
The 2013-2014 season at the Guthrie Theater‘s Wurtele Thrust Stage opens with a production of the Russian classic Uncle Vanya by Anton Chekhov. It’s a fairly safe bet, since the play has enjoyed considerable popularity and critical acclaim since it first debuted in Moscow in 1899. This is with good reason; Chekhov‘s story is comic enough to be entertaining, and dramatic enough…
by SOPHIE KERMAN In the artistic process, from the initial spark of an idea to the final performance of a show, a lot can go wrong. Moon Show 143, in a limited run at the Guthrie’s Dowling Studio, began as an intriguing idea: an exploration of humankind’s relationship to the moon. Adding puppets and an electronic soundtrack to…
by SOPHIE KERMAN For “Prairie Home Companion” fans who wish that the shores of Lake Wobegon saw a little more action, playwright Eric Webster has the answer for you: Shade’s Brigade, a 1950’s-style radio drama that’s all about adventure. In the role of Jack Shade, Webster has assembled a team of mercenaries (Dave Gangler, Lee Adams, and Shanan Custer)…
by SOPHIE KERMAN It’s August again, and that means that Scotty Reynolds, Marya Hart and the gang at Mixed Precipitation are back with another zany adaptation of a classic opera. If you’re new to the company, this is an annual tradition worth getting on board with. Each year, the company picks an opera, tweaks it to make…
by CHRISTINE SARKES SASSEVILLE MPR storyteller Kevin Kling’s Humanimal offers a funny, touching and sometimes silly evening’s entertainment that blends masterful storytelling and superb musical interludes at Open Eye Theatre’s intimately hip space. Kling’s central theme explores the relationship between humans and the animals they love, drawing inspiration from Jack London’s White Fang, Jacques Cousteau, ancient cultures, pop and classical music…
I had planned to cover more than one show on my last day at Fringe, but my plans got unexpectedly cut short after my first performance of the day. Although I’m disappointed not to have seen more, The Grimmer Side: Classic Stories for a Modern Time served as an excellent capstone to the festival, as it embodies…
