by SOPHIE KERMAN As a source text for a youth circus production, you can’t get much better than Peter Pan. Neverland is a country of eternal youth and constant adventure, and circus arts rekindle our sense of incredulity in a way that not many other forms of theatre can match. Maybe the death-defying leaps, staggering feats…
by SOPHIE KERMAN Griffelkin might be a children’s opera, but the performers – a group of over 70 children in graders 4-12 – aren’t playing around. In a limited run at the Lab Theater, the opera is already nearly sold out, and for good reason. This isn’t your average high school musical: these kids have dedicated…
by SOPHIE KERMAN Sure, saving the universe sounds awesome. Superpowers, space travel, battling aliens… there’s no down side, right? Well, as it turns out for Bruce and Violet Wong, all this superhero stuff is actually kind of stressful. Just as stressful, in fact, as it is to be an awkward, sci-fi loving middle schooler. In…
by SOPHIE KERMAN I look for two things in a children’s show: first, that the kids like it, and second, that it’s got something to entertain adults, too. The Children’s Theatre Company leaves no doubt about either in its revival of the holiday favorite, Dr. Seuss’ How the Grinch Stole Christmas. It’s a book most Americans have…
by ANNA ROSENSWEIG How do we talk to children about race? With its recent production Lizzie Bright and the Buckminster Boy, The Children’s Theatre Company provides an answer to this question by rejecting its premise. In this new play, an adaptation of Gary Schmidt’s 2004 Newberry Award-winning children’s novel based on a true story, it…
by SOPHIE KERMAN Did you know how turtles make it through the winter? Ever wonder whether they dream? With the help of their signature giant puppets, In the Heart of the Beast Theatre (HOBT) uses real wintry adaptations as a jumping-off point to imagine what animals think about during the cold winter months. But if…
Aisle Say - Twin Cities 