by MICHAEL J. OPPERMAN “A little glitter can turn your whole day around,” according to Junie B. Jones. And so can a children’s musical this good. Artistic Director Sandy Boren-Barrett and Director Cody R. Braudt have staged a whimsical, joyful production of the (in)famous Junie B. Jones’ experiences in 1st grade. Stages Theatre Company was…
by CHRISTINE SARKES SASSEVILLE The 11th annual Ivey Awards last evening recognized and showcased the work over the past year of the metro area’s professional theater companies and artists. Joe Dowling, the Guthrie Theater’s recently retired artistic director, was honored with the Lifetime Achievement Award. Critically-acclaimed newcomer, actor Mikell Sapp, who gave a moving acceptance speech, received the Emerging Artist Award…
BY TAMAR NEUMANN: A couple of years ago I was on a play selection committee for a theatre company. I suggested that we read and consider Elliot, a Soldier’s Fugue for our next season. At our next meeting my choice was callously disparaged as confusing and boring, and the group moved on in favor of more…
by CHRISTINE SARKES SASSEVILLE Guthrie Theater’s new artistic director Joseph Haj could not have chosen a more timely and relevant play to open his first season than Harper Lee’s To Kill a Mockingbird, now through October 25 (recently extended) on the Wurtele Thrust Stage. As he states in the program’s introduction, “There is a timeliness to…
By ELLEN FERRY. The Orpheum Theatre’s production of Cinderella dazzles with the timeless charm of a grandiose Broadway musical. A breathtaking set and remarkable costume changes—coupled with the distinct ballads of Rodgers and Hammerstein—make the show a delightful theatre experience for audience members of all ages. But those hoping to be swept away in a…
By ELLEN FERRY. “It’s only acting.” Or so they say. Sarah Ruhl’s charming new romantic comedy, Stage Kiss, is a hilarious yet refreshingly honest exploration of what happens when the lines between acting and real life become blurred. Using a unique blend of comedy and drama, Ruhl playfully exposes the plight of romantic leads turned…
by CHRISTINE SARKES SASSEVILLE The Matchmaker, now on Park Square Theatre’s Andy Boss Thrust Stage, is writer and playwright Thornton Wilder’s (Our Town) satirical and humorous take on class differences, new wealth, love and the importance of having adventures. This is the play that was later turned into the iconic Tony-award winning musical, Hello Dolly!, starring Carole Channing and the 1969…
Edit: Due to insanely high demand, this show’s run has been extended to August 9! See http://www.lyricarts.org During my years working in a professional theatre, I witnessed more performances of Grease in a few weeks than most people would see in three lifetimes. I got a little burnt out. I’ve turned down multiple invitations to see both…
By LIZ + BRYCE BYRON. Victor + Valentine is a new play by new theater company Collective Unconscious Performance. The play centers around storyteller and puppeteer Victor von Valentine as he puts on the final performance of his world-touring Cabaret For The Broken-hearted. Featuring artistic re-tellings of classic fairy tales by Hans Christian Andersen, Victor’s cabaret includes The…
By LIZ BYRON. When a play has been performed regularly across the country for 79 years, and has spawned an Oscar-winning film version, it seems safe to assume that it’s got some pretty good things going for it. Indeed, You Can’t Take It With You is a charming and clever story with a witty script,…
Aisle Say - Twin Cities 