by CHRISTINE SARKES SASSEVILLE The Matchmaker, now on Park Square Theatre’s Andy Boss Thrust Stage, is writer and playwright Thornton Wilder’s (Our Town) satirical and humorous take on class differences, new wealth, love and the importance of having adventures. This is the play that was later turned into the iconic Tony-award winning musical, Hello Dolly!, starring Carole Channing and the 1969…
Edit: Due to insanely high demand, this show’s run has been extended to August 9! See http://www.lyricarts.org During my years working in a professional theatre, I witnessed more performances of Grease in a few weeks than most people would see in three lifetimes. I got a little burnt out. I’ve turned down multiple invitations to see both…
By LIZ + BRYCE BYRON. Victor + Valentine is a new play by new theater company Collective Unconscious Performance. The play centers around storyteller and puppeteer Victor von Valentine as he puts on the final performance of his world-touring Cabaret For The Broken-hearted. Featuring artistic re-tellings of classic fairy tales by Hans Christian Andersen, Victor’s cabaret includes The…
By LIZ BYRON. When a play has been performed regularly across the country for 79 years, and has spawned an Oscar-winning film version, it seems safe to assume that it’s got some pretty good things going for it. Indeed, You Can’t Take It With You is a charming and clever story with a witty script,…
by CHRISTINE SARKES SASSEVILLE How do you navigate the cultures of the Middle East and America’s heartland as an Arab-American experiencing an identity crisis? A trio of plays by impressively talented local Arab-American playwrights and artists explore this theme and are showcased this week through July 12 at Mixed Blood Theatre. The festival is organized by a group of Minneapolis-based artists of the…
by CHRISTINE SARKES SASSEVILLE Camelot, now at the Ordway through Sunday, offers a lush set design and costumes, classic Lerner and Loewe lyrics and the timeless Arthurian Knights of the Round Table fable of love, honor, chivalry and justice. The brilliant set design of the musical (Kevin Depinet) and orchestration (Marshall Keating) were freshly reimagined and updated to evoke a slightly…
By LIZ BYRON. Yes, that’s right, there is a musical based on the TV show Happy Days. Now, I have to admit that I’ve never seen a single episode of the iconic show (blame it on my age plus my general preference for books over TV as a kid), but my theatre companion had, which…
By LIZ BYRON. Carmen is a classic opera whose music is so well-known that even opera virgins will probably recognise some of the songs. Indeed, I walked into the Ordway knowing nothing about the opera but that it featured a woman, presumably named Carmen, who might at some point wear a red dress. But it…
BY TAMAR NEUMANN: Peter Pan has always held a magical place in our hearts since it first took the stage. I think it’s because Peter Pan, the boy, reminds us all of the innocence of childhood. Either that, or we all just wish we had the ability to fly. In any case, Peter Pan continues…
by Adam M. Schenck Have you ever been sitting there in the audience, Live Theatre Goer, and wondered, “Why are there so few people here and so many people at home watching television?” Well, this critic has had that thought, and let me say that I can’t recall having a solid belly laugh at a…
Aisle Say - Twin Cities 